THE GRIEFGLOW MANIFESTO: WHY THIS BLOG?

This blog finds its roots in the losses of my life and my slow, stumbling, but steady path towards healing. Of all the resources I explored when I was newly bereaved and deep in grief, the most powerful ones were those that simply shared someone else's story. The least helpful were those that either tried to fix or change me, or communicated with such mutedness and sadness they seemed to make my own sadness worse. In reacting to such times, I came up with something I called the GriefGlow manifesto, which goes as follows. I am pleased to share it and some glimpses of my journey with you. So, the GriefGlow Manifesto: Because grief is never black and white. Because healing is hard enough without coloring everything around us gray. Because we're just sad, not broken. Because we are a community, even when we feel the most alone. Because a picture is worth a thousand words when we have no words to say. Because we don't need to be changed, fixed, taught, or hurried. Because being vulnerable isn't the same as being powerless. Because our story isn't over. Because the world is as beautiful as it is painful. And because though a little bit of beauty can't change the pain today, it may help us toward healing tomorrow.



Wednesday, June 9, 2010

ON A PLAYFUL NOTE: furniture, forlorn

This post isn't really meant for you if you're recently bereaved. One's delight in the ridiculous usually takes a while to come back. But it may make you smile if you're somewhere past the absolute worst.

I came across Bill Keaggy's little book Fifty Sad Chairs about a year after my father died. Each of its 4-inch square pages offers a photo of a real chair abandoned in a real place somewhere in St. Louis and photographed exactly as found. A single look at the photos was enough to make me laugh out loud. Keaggy's sad chairs were so sad, so deeply forlorn, so put-upon, so down and out they made the entire concept of sadness feel amusing. Keaggy's brief introduction notes, "You'll see them beside dumpsters, in backyards, in vacant lots and on the sidewalk. These are the forsaken chairs...They saved us from having to sit on the floor. And how do we repay them? With a grunt, a curse, and a heave-ho to the street." If these chairs were characters in Milne's Winnie-the-Pooh, they'd all be Eeyore: depressed, desultory, and deeply under-appreciated.


The image I reprint here is titled "She Never Calls Anymore." It was taken sometime before 2007, when the book was published. Today, not only the chair is gone, but probably the phone booth too. I wonder if Keaggy would consider a book called Fifty Forlorn Phones.

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